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“Elliott’s impeccable musicianship, as well as his discernible love for the music, won over the audience, which responded with sustained standing applause.” – Victor Carr Jr. of Classics Today.com
Acclaimed for his stellar stage presence and joyous musicianship, cellist Sterling Elliott is a 2021 Avery Fisher Career Grant recipient and the winner of the Senior Division of the 2019 National Sphinx Competition. Already in his young career, he has appeared with major orchestras such as the Philadelphia Orchestra, the New York Philharmonic, the Boston Symphony, the Cleveland Orchestra, the Los Angeles Philharmonic, the Detroit Symphony, and the Dallas Symphony, with noted conductors Yannick Nezet-Seguin, Thomas Wilkins, Jeffrey Kahane, Mei Ann Chen, and others.
This season, Elliott debuts with the Minnesota Orchestra, Grand Rapids Symphony, Charlotte Symphony, Pacific Symphony, San Antonio Symphony, and New Jersey Symphony. He also performs the world premiere of a new orchestral version of John Corigliano’s Phantasmagoria, commissioned for him by a consortium of orchestras, including the Orlando Philharmonic and music director Eric Jacobsen. He makes his UK recital debut at Wigmore Hall in February.
The 2022-2023 season saw his debuts at the Aspen Music Festival, performing the Brahms Double Concerto with Gil Shaham, as well as with the Colorado Symphony, Cincinnati Symphony, North Carolina Symphony, and Ft. Worth Symphony, among others. He appeared in recitals under the auspices of the San Francisco Symphony, the New York Philharmonic, Shriver Hall in Baltimore, the Tippett Rise Festival, and Capitol Region Classical in Albany, NY.
Fast becoming a favorite on the summer festival circuit, Sterling has appeared at Music@Menlo, Chamberfest in Cleveland and Chamberfest Northwest in Calgary, Music at Angel Fire, and the La Jolla Music Society. In the Summer of 2023, he made his orchestral debut with the San Francisco Symphony, performed chamber music with Nicola Benedetti, Stefan Jackiw, and others at the Edinburgh Festival; and made a return appearance at the Hollywood Bowl with the Los Angeles Philharmonic.
Sterling Elliott participates in several programs alongside exceptionally talented young artists. In April 2023, he was selected by The Chamber Music Society of Lincoln Center for its Bowers Program, a three-year residency. As a Bowers Program artist, he will perform in CMS tours nationally and play subscription concerts at Alice Tully Hall. In June 2023, the London-based Young Classical Artists Trust named him their YCAT–Music Masters Robey Artist, a two-year program during which YCAT will provide UK booking and management, and Sterling will fulfill an ambassadorial role, leading workshops and engaging with young learners in schools across London to inspire and enhance their musical education. In Spring 2022, Sterling participated in Performance Today’s Young Artist Residency, which featured educational events, interviews, and a feature on the nationally syndicated radio program.
Sterling has a long history with the Sphinx Organization, where he won the 2014 Junior Division Competition, becoming the first alumnus from the Sphinx Performance Academy to win the Sphinx Competition. The following year, he went on tour with the Sphinx Virtuosi before being awarded the Organization’s Isaac Stern Award in 2016. This season, Sterling will receive a Sphinx Medal of Excellence, the highest honor bestowed by the Sphinx Organization, awarded to artists who, early in their career, demonstrate artistic excellence, outstanding work ethic, a spirit of determination, and an ongoing commitment to leadership and their communities.
Born into a musical household, Sterling initially wanted to play the violin like his older brother and sister. After a bit of encouragement, he completed The Elliott Family String Quartet, an ensemble that enjoyed personalized arrangements of genres such as bluegrass, gospel, and funk music.
Sterling is pursuing an Artist Diploma at the Juilliard School under the tutelage of Joel Krosnick and Clara Kim, following completion of his Master of Music and undergraduate degrees at Juilliard. He is an ambassador of the Young Strings of America, a string sponsorship operated by Shar Music. He performs on a 1741 Gennaro Gagliano cello on loan through the Robert F. Smith Fine String Patron Program in partnership with the Sphinx Organization.
“Janice Carissa has been praised for radiating “the multicolored highlights of a mature pianist.” – Philadelphia Inquirer
A Gilmore Young Artist and winner of Salon de Virtuosi, Janice Carissa has “the multicolored highlights of a mature pianist“ (Philly Inquirer) and “strong, sure hands” (Voice of America) that “conveys a vivid story rather than a mere showpiece.” (Chicago Classical Review) She has garnered great acclaims at renowned concert halls, including the Sydney Opera House, Carnegie Hall, United Nations, Kennedy Center, Jay Pritzker Pavilion in Millennium Park, Louis Vuitton Foundation, Saratoga Performing Arts Center.
Following her Philadelphia Orchestra debut at age sixteen, Janice has substituted Andre Watts as soloist with Orpheus Chamber Orchestra and gone on to perform with the Kansas City, Amarillo, Des Moines, John Hopkins, St. Peters by the Sea, Symphony in C, Eastern Wind, Bay Atlantic and Midwest Young Artist symphonies. In 2023, she will be a featured soloist with Sacramento Philharmonic, Promusica Chamber Orchestra, Curtis Symphony Orchestra, and the Tacoma and Battlecreek symphonies.
Janice’s passion for chamber music has lead her to performances with Brooklyn Chamber Music Society and Jupiter Chamber Concert Series; collaborations with Vadim Gluzman, Miriam Fried, Paul Neuebauer, Lucy Shelton, Marcy Rosen, David Shifrin, Jennifer Cano, Peter Wiley, among other distinguished musicians; and appearances at Marlboro, North Shore, Ravinia, Caramoor, and Kneisel Hall festivals.
A pupil of Gary Graffman and Robert McDonald, Janice left Indonesia in 2013 and entered the Curtis Institute of Music with full scholarship from Gerry and Marguerite Lenfest. Now graduated with a Bachelor’s Degree, she is presently pursuing her Master’s Degree at The Juilliard School with Robert McDonald. When away from the piano, Janice is an avid foodie and loves going on strolls with her camera.
Sense and Sensibility
This program begins with the turbulent romanticism of Scriabin’s impassioned sonata. Followed by Janáček’s exotic fairy tale, we find an emotional anchor in the majestic masterpiece by Brahms.
Scriabin: Piano Sonata No. 3 in F-Sharp Minor Op. 23
Janáček: Pohádka, for Cello and Piano
Intermission
Brahms: Sonata for Piano and Cello in e-minor Op.38
Programs are subject to change.