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UID:24@grandpianoseries.org
DTSTART;TZID=Pacific/Easter:20230419T193000
DTEND;TZID=Pacific/Easter:20230419T193000
DTSTAMP:20230821T210135Z
URL:https://grandpianoseries.org/events/chamberfest-lee-fullana-strezeva-s
 t-leo-4-19-730-pm/
SUMMARY:ChamberFest: Lee/Fullana/Strezeva (St Leo) 4/19 - 7:30 PM
DESCRIPTION:\n\nSpanish-born violinist Francisco Fullana\, winner of the 20
 18 Avery Fisher Career Grant\, has been hailed as an "amazing talent" (Gus
 tavo Dudamel) and "frighteningly awesome" (Buffalo News). His latest album
  on Orchid Classics\, Bach’s Long Shadow\, was named BBC Music Magazine
 ’s Instrumental Choice of the Month. Its five-star review stated: ‘Ful
 lana manages to combine Itzhak Perlman's warmth with the aristocratic pois
 e of Henryk Szeryng'\n\nA native of Mallorca in the Balearic Islands of Sp
 ain\, Francisco is making a name for himself as both a performer and a lea
 der of innovative educational institutions. As a soloist\, he has performe
 d the Mendelssohn Violin Concerto with the Bayerische Philharmonie led by 
 the late Sir Colin Davis\, the Sibelius Concerto with the Münchner Rundfu
 nkorchester\, and the Brahms Violin Concerto with Venezuela’s Teresa Car
 reño Orchestra under the baton of Gustavo Dudamel. His versatility as a p
 erformer has brought him to perform with numerous ensembles across the art
 istic spectrum: from major orchestras such as the City of Birmingham\, Van
 couver\, Pacific and Buffalo Symphony Orchestras\, the chamber orchestras 
 of Saint Paul and Philadelphia\, to the baroque ensemble Apollo’s Fire a
 nd the new music driven Metropolis Ensemble. Francisco has worked under th
 e batons of Hans Graf\, Alondra de la Parra\, Christoph Poppen\, Jeannette
  Sorrell\, and Joshua Weilerstein\, among many others.\n\nIn 2015 Francisc
 o was honored with First Prize in Japan’s Munetsugu Angel Violin Competi
 tion\, as well as all four of that competition’s special prizes includin
 g the Audience and Orchestra awards. Additional awards include First Prize
 s at the Johannes Brahms and Julio Cardona International Violin Competitio
 ns\, the Pro Musicis International Award\, and the Pablo Sarasate National
  Competition.\n\nFrancisco Fullana performs on the 1735 "Mary Portman" ex-
 Kreisler Guarneri del Gesù violin\, kindly on loan from Clement and Karen
  Arrison through the Stradivari Society of Chicago.\n\n\n\n\n\nProgram\n\n
 \n\n\n\n\n\n\n\n\nBach: Chaconne 13'\nMozart: KV 454 in B Flat Major 22'\n
 Turina: Sonata no. 2  ‘Española’ 19'\n\n\nRavel: Sonata no. 2 for Vi
 olin and Piano 20'\n\nThis program is played on violin with gut strings\, 
 giving you a taste of the authentic sound of timeless classics of Bach and
  Mozart. The concert culminates with Ravel's violin sonata on the modern i
 nstrument. Francisco Fullana performs on the 1735 "Mary Portman" ex-Kreisl
 er Guarneri del Gesù violin.\n\n\n\n\n\n\n\n\n\nPraised by the critics fo
 r her "technically fluid\, dramatically convincing\, and sonically full-bo
 died supportive collaborations" (Boston Globe) - Milana Strezeva is a Mo
 ldovan-American pianist. At the age of 11\, she began playing chamber musi
 c with her clarinetist father and her mother\, a renowned soprano. Milana'
 s love for family collaboration eventually grew into a passionate advocacy
  of vocal and instrumental chamber music.\n\nA founding member of the awar
 d-winning Manhattan Piano Trio\, one of the most creative and dynamic you
 ng ensembles in America\, Milana has performed with them in over 30 Americ
 an states\, in Australia\, South Africa\, and Italy\, and in venues such a
 s Alice Tully Hall\, Merkin Hall\, and the Ravinia Festival. The Washingto
 n Post described the Trio as "impressive" and "outstanding." At the same t
 ime\, the Sarasota Herald-Tribune said\, "one seldom is privileged to enjo
 y the music of such a wide range of styles performed with self-effacing sk
 ill and relaxed assurance." In honor of the composers' bicentennials\, a C
 D of Schumann and Chopin trios was successfully released on the Marquis Cl
 assics label in 2009.\n\nMilana's most enduring and treasured collaboratio
 n is with her mother\, the renowned Soprano\, Svetlana Strezeva (a.k.a. 
 "The Russian Nightingale" and winner of the 1982 Tchaikovsky Competition).
  With programs that reflect their love of Russian vocal literature\, they 
 have given recitals across the US as well as in Italy\, Denmark\, Germany\
 , Ukraine\, Romania\, Moldova\, and China.\n\nMilana received her Bachelor
 's and Master's degrees from The Juilliard School on a full scholarship.
  Currently\, Milana lives in Naples\, FL\, and is a President &amp\; Artis
 tic Director of Grand Piano Series.\n\n\n\nMike Cheng-Yu Lee is one of a
  new generation of pianists who is at home performing on pianos that span 
 the early 18th to the late 20th centuries. Awarded Second Prize and Audien
 ce Prize at the 2011 Westfield International Fortepiano Competition by a
  jury that included Robert Levin and the late Christopher Hogwood\, his pe
 rformances have garnered attention for the fresh perspectives they bring t
 o familiar repertoire. For his debut recital in Australia he received a ra
 re five-star review in Limelight Magazine: “Try as one might\, it was h
 ard to avoid cliché responses like ‘stunning’\, even ‘electrifying
 ’. I don’t think I have heard a Mozart recital quite like this. I hear
 d things in Mozart’s music I had never thought possible and certainly ha
 d never encountered before.”\n\nAs a chamber musician\, Mike regularly c
 ollaborates with both modern and period performers and ensembles. He has a
 ppeared as soloist with the New World Symphony at the invitation of Michae
 l Tilson Thomas and collaborated with musicians from the Formosa\, Juillia
 rd\, and Aizuri quartets among others.\n\nMike is regularly invited to gue
 st teach and perform at some of the most prominent music schools around th
 e world\, including the Royal Academy of Music\, Oberlin Conservatory\, Ea
 stman School of Music\, the Thornton School of Music at the University of 
 Southern California\, the Bienen School of Music at Northwestern Universit
 y\, and the University of Michigan–Ann Arbor\, among others. In 2015-17 
 he was Visiting Assistant Professor at the Jacobs School of Music\, Indian
 a University–Bloomington.\n\nAs a scholar\, Mike's interests lie at the 
 intersection between music theory and analysis\, performance studies\, and
  organology. To date he has published on aspects of form\, meter\, and tem
 po in Schubert (Music Theory Online) and has a forthcoming article in 19t
 h-Century Music that develops a new hermeneutic interpretation of Chopin'
 s E-minor prelude drawing on autograph and biographical sources\, analysis
 \, and performance studies. Additionally\, Mike has contributed writings t
 o Early Music America Magazine and 18th-Century Music.\n\nIn more recen
 t years\, Mike has assumed curatorship of important instrument collections
 . In 2017-19 he was director of the Australian National University Keyboa
 rd Institute which houses one of the southern hemisphere's largest collec
 tions of historical pianos. Currently\, he is Artist/Scholar-in-Residence 
 at the Cornell Center for Historical Keyboards where he divides his work
  between performance and scholarship\, developing programs for the center\
 , teaching into the DMA program\, and curatorship of the center's historic
 al piano collection.\n\nMike studied at the Yale School of Music and holds
  a Ph.D. in musicology from Cornell University with a dissertation that wa
 s awarded the Donald J. Grout Memorial Dissertation Prize. His teachers i
 nclude Malcolm Bilson\, Boris Berman\, Michael Friedmann\, and the renowne
 d Haydn scholar James Webster.\n\n\n\n\n\nGet Tickets\n\n
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CATEGORIES:Past Events
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